W*TCH! Is a teen coming-of-age/dramedy film centering around Claire, a girl who is newly inducted to the the popular girl group at her school, opposite her ex-best friend, Sarina. This project entailed the creation of three separate components, A short film, A social media page promoting the film, and a printable postcard to be handed out at a film festival. Throughout the project, my group and I made sure that each component was directly connected to the other 2 components, through production decisions.
When we first began planning out our project, our concepts were very different. We heavily researched productions that broke the fourth wall, including Fleabag, Crazy Ex Girlfriend, and Deadpool. We originally wanted our film to center around the technique of direct address, and explore what would happen if two characters were to compete for the audience. Eventually through group meetings we discovered that this concept could be difficult to understand, and even more difficult to execute.
As we switched gears closer to the concepts of teen dramedy that made it into the final film, we started paying attention to productions that explored interpersonal relationships and the high school experience. We heavily researched the writing of Mean Girls and The Craft, movies that explore teen social hierarchies, and witchcraft in a way that is relatable to teens. After researching both films we decided to represent the social pressure to conform, and the consequent feelings of isolation that can come from that. In addition to analyzing similar productions we also researched the real groups we planned on representing
When we decided to focus on the idea that many teens often overlook their own values to fit into a group we wanted to make sure that the way we represented it was a true reflection of how teens feel, and the abandonment that goes with it. We also needed to make sure we nailed the social aspect of it, and write about how teen girls interact with each other through both words and body language.
Something that needed particular care in the writing was our portrayal of witches and witchcraft. We did heavy research into real life witches, and the way their practices work. While of course there was still some fantastical aspect to it, removed from any real-life witchcraft, we still needed to make sure that what we were portraying came from a real place, and didn't show witchcraft in a way that disrespected, or misrepresented real witches.
On the set of our film, we used a real tarot deck, and incorporated elements of its design across our branding, so that the deck that you see on the film, is the same one shown in online promotional content, and on our postcard. We also made sure that the spread used in the film was a real life tarot spread, and the descriptions of the cards matched what they represented in real life. This also became the visual baseline for the brand shown In our film, social media, and postcard.
We actually scanned the tarot deck to incorporate elements from it into the social media, the back of the tarot card being a subtle visual motif present throughout much of the promotion. By formatting the posts as different cards in a deck, we wer able to create a brand that visually matched the concepts represented throughout our film. For other elements we drew inspiration from gothic designs. For font choices we limited ourselves to 3 fonts across the entire branding.
We would use Angelic War for the title of the film, and any other major headings, as it is very distinct and ornate. For subheadings we would use Slacksluger which is similarly decorative but not as detailed and finally for small print and body text we would use Cochin which was simple but elegant.
The postcard echos this brand style. The front side graphic mirroring some of the posts from our page, and the back graphic providing details on when and where to watch the film, as well as our social media page, and contact emails for the writer and director.
We used the design of the postcard and social media to attract our audience of teens, using a bold, but feminine crimson color. We also made sure the fonts we used were carried distinct features associated closer to femininity, such as swirling embellishments. The maximalist and flowy aspects of the design also help push it towards the feminine side, as typically masculine design language focuses on geometric minimalism.
The postcard provides a point of direct access to our film. When we hand it out at a festival, people can see the themes of the film on the front cover, which features the tarot card and the title of the film. The backside features 2 stills from the film composited together, the title of the film, its tagline, screening information, location, and contact information for the crew.
The title of our film by itself communicates to its target audience by establishing the type of themes portrayed throughout. We chose to name it W*TCH! As a play on the cuss bitch. Written out as if being yelled out to the audience. This calls back to the style of language used by characters in movies about teen social groups like Mean Girls
The film itself communicates to the audience by being emotionally candid. It confronts feelings of abandonment, and isolation. It does this by having the main character, Claire, directly speak to the audience, this is where we used our research from productions like Fleabag, to see how we could write a character that consistently juggles a conversation with the audience, and other characters in the film.
When we began writing W*TCH! We could not have imagined it would turn into what it has now. Through our research in representation we were able to form a cohesive brand for the film that calls out to our audience and captures their attention. Im glad that we were able to make something that people can understand the concepts of upon seeing it.